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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Turbeta u FBiH</text>
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            <name>Creator</name>
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                <text>Katedra za informacijske nauke Filozofskog fakulteta Univerziteta u Sarajevu</text>
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            <name>Date</name>
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                <text>2023.</text>
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            <name>Description</name>
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                <text>Zbirka "Turbeta u Federaciji Bosne i Hercegovine" uključuje opis i prateće fotografije 29 turbeta sa područja Federacije Bosne i Hercegovine, a koji imaju oznaku nacionalnih spomenika. U zbirci se nalazi ujednačen opis turbeta iz Sarajeva, sela Solun kod Olova, Tuzle, Prače, Prusca, Bihaća, Mostara, Travnika, Fojnice, Vukeljića i Oglavka, a koja su podizana u periodu od 16. stoljeća naovamo. </text>
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    <name>Turbe</name>
    <description>Sepkularna građevina</description>
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            <text>Bejtić, Alija. 1981. Jedno viđenje sarajevskih evlija i njihovih grobova kao kultnih mjesta. Prilozi za orijentalnu filologiju, 31, str. 111-129.&#13;
&#13;
Komisija za očuvanje nacionalnih spomenika Bosne i Hercegovine. Odluka o proglašenju Graditeljske cjeline – Bijela džamija (džamija Divan katiba Hajdara) nacionalnim spomenikom Bosne i Hercegovine. Službeni glasnik BiH, br. 78, 2005.&#13;
Dostupno na: http://old.kons.gov.ba/main.php?id_struct=6&amp;lang=1&amp;action=view&amp;id=2538 (21.11.2022.)&#13;
&#13;
Komisija za očuvanje nacionalnih spomenika Bosne i Hercegovine (komisija u sastavu Zeynep Ahunbay, Amra Hadžimuhamedović, Dubravko Lovrenović, Ljiljana Ševo i Tina Wik). 2005. Odluka o proglašenju Graditeljske cjeline – Bijela džamija (džamija Divan katiba Hajdara) nacionalnim spomenikom Bosne i Hercegovine. (Odluka broj: 07.2-2-21/05-4, 15. marta 2005. godine). Sarajevo. Dostupno na: &#13;
http://aplikacija.kons.gov.ba/kons/public/uploads/odluke_bos/Dispozitiv%20Sarajevo%20bos.pdf (21.11.2022.)&#13;
&#13;
Mujezinović, Mehmed. 1974. Islamska epigrafika u Bosni i Hercegovini: knjiga I – Sarajevo. Sarajevo: Veselin Masleša.&#13;
&#13;
Palavestra, Vlajko. 2003. Legende iz starog Sarajeva. Zemun: Most Art.&#13;
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          <name>Title</name>
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              <text>Turbe divan katiba Hajdar-efendije</text>
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          <name>Identifier</name>
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              <text>http://kin.ff.unsa.ba/turbeta/items/show/17</text>
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              <text>TUR4</text>
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          <name>Temporal Coverage</name>
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              <text>16. stoljeće</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Divan katib Hajdar-efendija;</text>
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              <text>Sarajevo;</text>
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              <text>16. stoljeće;</text>
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              <text>Turbe divan katiba Hajdar-efendije</text>
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          <name>Worktype</name>
          <description>Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.</description>
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              <text>TURBE (mauzolej) </text>
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          <name>Location</name>
          <description>The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.</description>
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              <text>Sarajevo</text>
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          <name>Description</name>
          <description>A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.</description>
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              <text>U ovom obnovljenom otvorenom potkupolnom turbetu na četiri stuba, u kojem je jedan mezar, sa dva obojena nišana od drveta, bez natpisa, sahranjen je Hajdar-efendija, koji je bio sekretar Gazi Husrev-bega te vakif. Hadži Hajdar efendija je preminuo „1545. god., na povratku s hodočašća“ (Mujezinović, 1974: 318) iz Mekke.&#13;
Palavestra navodi:“za Bijelu džamiju na Vratniku neki su pričali da je nju sagradio “Bijeli paša” koji je gradio i Bijelu tabiju (bastion) na sarajevskoj tvrđavi. Ali to nije istina. Bijelu džamiju sagradio je Divan katib (dvorski pisar) Hajdar-efendija. Za njega se pripovijedalo da je budući da je bio pisar, čitavog života ostavljao odreske od kalema, pisaljke načinjene od trstike, i toliko ih sakupio da je mogao narediti: “Kad umrem, vodu u kojoj ćete kupati moje mrtvo tijelo ugrijte na vatri od komadića ovih kalema što sam ih čitavog života skupljao!”. Njegovoj je želji, kažu, bilo udovoljeno. Džamiju su prozvali Bijelom džamijom po tome što je bila tako lijepo krečom obijeljena da je nije bilo bjelje u čitavom starom Sarajevu” (Palavestra, 2003: 32). U vezi sa nišanima na ovom turbetu „predanje kaže da su ovdje ranije bili zlatni nišani (vjerovatno sa pozlatom na pismu) i da ih je sa sobom odnijela vojska Evgena“ (Mujezinović, 1974: 321), pri čemu „ovo je jedini primjerak drvenih nišana u Sarajevu” (Mujezinović, 1974: 320).</text>
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          <name>Material</name>
          <description>The substance of which a work or an image is composed.</description>
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              <text>Sedra</text>
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        <element elementId="165">
          <name>Measurements</name>
          <description>The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time.</description>
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            <elementText elementTextId="1886">
              <text>”Osnova turbeta je približno kvadratična sa dimenzijama oko 3,50 x 3,80 metara” (Službeni glasnik BiH, br. 78, 2005.).</text>
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          </elementTextContainer>
        </element>
        <element elementId="159">
          <name>Cultural Context</name>
          <description>The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.</description>
          <elementTextContainer>
            <elementText elementTextId="2067">
              <text>Bosanskohercegovački</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="170">
          <name>Style Period</name>
          <description>A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.</description>
          <elementTextContainer>
            <elementText elementTextId="2083">
              <text>Osmanski period u BiH</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
  <tagContainer>
    <tag tagId="35">
      <name>16. stoljeće</name>
    </tag>
    <tag tagId="92">
      <name>bh. nepokretna kulturna baština</name>
    </tag>
    <tag tagId="93">
      <name>bh. nepokretno kulturno naslijeđe</name>
    </tag>
    <tag tagId="151">
      <name>Bijela džamija</name>
    </tag>
    <tag tagId="90">
      <name>bosanskohercegovačka turbeta</name>
    </tag>
    <tag tagId="130">
      <name>bosanskohercegovačka turbeta 16. stoljeća</name>
    </tag>
    <tag tagId="91">
      <name>bosanskohercegovački nacionalni spomenici</name>
    </tag>
    <tag tagId="98">
      <name>Bosna i Hercegovina</name>
    </tag>
    <tag tagId="117">
      <name>digitalna humanistika</name>
    </tag>
    <tag tagId="45">
      <name>Divan katib Hajdar-efendija</name>
    </tag>
    <tag tagId="100">
      <name>mauzolej</name>
    </tag>
    <tag tagId="129">
      <name>otvoreno potkupolno turbe</name>
    </tag>
    <tag tagId="23">
      <name>Sarajevo</name>
    </tag>
    <tag tagId="99">
      <name>turbe</name>
    </tag>
    <tag tagId="44">
      <name>Turbe divan katiba Hajdar-efendije</name>
    </tag>
    <tag tagId="87">
      <name>turbeta u BiH</name>
    </tag>
    <tag tagId="103">
      <name>vakif</name>
    </tag>
    <tag tagId="102">
      <name>vakuf</name>
    </tag>
  </tagContainer>
</item>
